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Sunday, July 29, 2018

A Commentary on Commentaries

Yep, I found another gem while going through some stuff. This one from September 20, 1979! I would have been 19 years old when I wrote this. That would be shortly during my first semester at college. Based on the markings, it appears it showed up in the school newspaper. Could easily be said to be the first thing I ever officially "published." It's a silly piece, but I think I'll go there anyway.

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Ricky Copple
September 20, 1979
A Commentary on Commentaries


I consented to create some conclusions and comments about commentaries. Many commentaries can be creative, catchy, or constructive. However, can the "common person" collect the conclusions that could create a concise consensus? Can commentaries continue to claim that creative and constructive criticisms and conclusions are being conducted? In the coming paragraphs, I will concentrate upon these concrete questions.

First, commentaries can be catchy. Many a creative commentary has been conducted as a catchy collection of ideas. The common commentary can draw your consciousness to keep its contents contained in your cranium. One catchy use has common words or letters through the contents, while in others it can create a commotion in the consciousness. Commentaries can also concentrate the consciousness of contemporaries to a contagious problem which can cause it to be catchy. The creative commentary can be contagiously catchy.

Commentaries can also be constructive. A concise constructive commentary can construct the credibility of composers, conservatives, candidates, conductors, kids, con artists, and other contemporaries. A colossal credibility can be created by a creative commentator. Other constructive commentaries can collect the conclusions and comments of experts on a contagious problem. A credible commentary can be very constructive in its outcome.

Lastly, commentaries can be creative. Can you create a commentary? A creative commentary is created by a creative commentator. If you can create a creative commentary, it concludes that commentaries can be creative and that you can be creative. Klutzy commentaries are to be condemned. Only colossal commentaries can be creative. Commentaries can also create more freedom for the creator to create. The common column consist of conclusions of collective data while a commentary can cross the creeks and climb the crevices of the consciousness. Commentaries are considerably creative if colossal.

Can commentaries be catchy, constructive, and creative? Close, concise criticisms, and comments in one's own consciousness can create the conclusions to these common questions. You can now conceive my conclusions and comments on commentaries. What can you conclude?

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